top of page
428808_salaam of birds for an art cover a flock of birds _xl-1024-v1-0.png


SOMEONE ELSE'S
LIVID DAY

 

428808_salaam of birds for an art cover a flock of birds _xl-1024-v1-0.png

Someone Else's Livid Day

The headline doesn’t mention epigenetics, but 

startles with words like trauma 

and holocaust, and a bright picture 
 

of DNA Chagalled in space, curlicued 

in dots of protein held 

magnetically on their given lines, 
 

like a corkscrew of music, or the barbs 

on an electrified fence,

the fence behind which the children 
 

stand, each tied in a dirty rag

that covers their ears against 

the freezing Polish wind. You can see them, 
 

striped clothes sized for someone else, 

bellies distended, even the tendril

of a girl, who sways near the others, 
 

eyes demanding to be held, 

arm open to the number tattooed 

there, and on her son, years later, 
 

whose vicious fists will writhe

against ‘yid’ and ‘sheeny’ 

or later, her grandson, 
 

against ‘jew-bag’ and ‘zog’—

each printed in rope-bridge code 

deep within the children 
 

of those lucky enough 

to survive their own ravenous 

seasons, displayed in crisp reality
 

as each DNA is unrolled like a Torah scroll, 

read out loud each shabbat, memories 

that drag a language into the marrow, 
 

into the bones, into the savage 

hand of someone else’s livid day, 

spread generation to generation.
 
 

Look deeply 

into the DNA of my own children. 

There you will find me, a little girl, dark 
 

hair too long and torn underpants, unconscious 

on a tiled floor because I couldn’t 

remember my times tables.

​

​

​

 

 

 

 

​

​

This poem first appeared in Pigeonholes Journal 

https://pidgeonholes.com/2018/12/two-poems-15/​​​

​

bottom of page